Thursday, March 08, 2007

Heart Chamber Orchestra: Audio Visual Performance

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.:Heart Chamber Orchestra:.

Full information and documentation can be found on the Heart Chamber Orchestra Website.

The Heart Chamber Orchestra - HCO - is an audiovisual performance. The orchestra consists of 12 classical musicians and the artist duo TERMINALBEACH.

Using their heartbeats, the musicians control a computer composition and visualization environment. The musical score is generated in real time by the heartbeats of the musicians. They read and play this score from a computer screen placed in front of them.

HCO forms a structure where music literally "comes from the heart".

The musicians are equipped with ECG (electrocardiogram) sensors. A computer monitors and analyzes the state of these 12 hearts in real time. The acquired information is used to compose a musical score with the aid of computer software. It is a living score dependent on the state of the hearts.

While the musicians are playing, their heartbeats influence and change the composition and vice versa. The musicians and the electronic composition are linked via the hearts in a circular motion, a feedback structure. The emerging music evolves entirely during the performance.

The resulting music is the expression of this process and of an organism forming itself from the circular interplay of the individual musicians and the machine.

Wednesday, March 07, 2007

Casio VL-1 Tone Emulator VST

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.:Casio VL-1 VST:.

I seem to be stumbling across all sorts of interesting VST plugins as of late. The latest I have found is an emulation of the old Casio VL-1 Tone Emulator. I can't actually try this one out myself to see how true it is, but I know there were tons of fans out there for the little VL-1, and the nostalgia factor alone almost makes this worth the download. By the way, it is FREE!!!!!

Tuesday, March 06, 2007

The MusicPole Midi Controller

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.:MusicPole.com:.

Here is another one of those crazy midi control devices. The MusicPole, which has midi triggers arranged around a cylinder. What is interesting with this is that you don't tap the triggers, but instead glide your finger across them. You can purchase a MusicPole for $395.

The MUSICPOLE MIDI Controller is a brand new musical instrument.

You don't strike the keys of the MUSICPOLE like you would a piano, you stroke the keys like a slide guitar player. By sliding your thumb you can create all the different scales.

The 12 musical keys are labelled around the top of the MUSICPOLE. The MUSICPOLE's key's are arranged symmetrically, like the circle of fifths. The MUSICPOLE is a 3 octave keyboard. The keys have the same black and white scheme as piano. All keys are labeled with their proper note names.

The MUSICPOLE's keys are triggered by special "thumbletz" you wear on your thumbs (thumbletz are made out of conductive fabric. They slide like silk over the keys of the MUSICPOLE).

A quick start guide to guerilla flyering

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How to pound the pavement without looking (or being) stupid.


An editorial note: Don't come whining to me if you try to do something from this article and it goes wrong. It is all opinion, so use this information at your own risk.

Let's face it. If you're in this scene long enough, chances are pretty good you're going to end up pitching in to promote your own upcoming shows. It can be a daunting task, with all sorts of pitfalls one may not be aware of until it's too late. Luckily, I've picked up a few tricks to pass along for when other bewildered audiophiles suddenly find themselves holding a stack of flyers. The first tip: use your head. It's possible to do this wrong.

It's easy for those glossy, expensive flyers and cards to become a common trash. Leaving them in the wrong spot might get them chucked into the recycle bin right away. And if you really want a problem on your hands, try slapping up a poster with wheatpaste-- it'll never come off. So my best advice is to carry a stack with you for a day or two, leaving them a few at a time in well chosen places. Being neat about it is a must; leaving a bunch of trash around with the show's info is a good way to drag everyone's names through the mud.

The worst danger I have come across is getting cited for littering. Several promoters I have known have been badly tripped by gigantic tickets that penalize relatively minor infractions with heavy fines. It's potentially an open door for a city government to rob you blind, so it's well worth it to spend twenty minutes on the phone chatting up a secretary at city hall about your local laws. You'd be surprised what those people know, but don't go answering too many nosey questions. Instead, be sure to ask what the rules are regarding tacking posters to poles, removal after the show date, what constitutes public versus private space when it comes to advertising, etc.

A wisely chosen public space is a gold mine. Cafes, record stores, certain bars, book stores and head shops are the obvious spots, as many such places actually encourage such things. Universities, community colleges, and public bulletin boards (often found at health food stores, skate and snowboard shops, record stores, hostels, laundromats, etc.) are also a no brainer. But the real gold mine lies inside of public bathrooms. Leave a stack on the back of a well-used john as potential reading material for the guy or girl who's not going anywhere for a minute. Hide a couple up in the paper towel dispenser, to pop out at unsuspecting moments. Tape one to the back of a stall door, for kicks.

Another good one, but a trickier location to land, is the cashier's blind spot at a mini-mart. If you've ever stood behind a register, you know that you can't actually see what's directly in front of it, right about waist height on the lower left if you're facing the customer. Of course, this spot is quite visible from the other side, where customer after customer is bound to stand. Perfect for a small, neat stack of cards.Another creative method is to use folded flyers or cards as book marks at magazine racks. Hitting a couple of the more obvious magazine types works well, and don't underestimate comic book stores, either. But again, don't go crazy. Be sly, and only do one or two at a go. Also, library books are a bad idea, but some of the periodicals might be worth it. Hit the loo while you're there.

In my opinion, windshield wipers are a bad idea too. It's been done to death so much that nobody even bothers reading windshield flyers anymore. Unless the car has an "I love electronica" bumper sticker, you're likely wasting your time. And last, never, ever, EVER scatter them all over the place on the ground. I mean, c'mon. You're not five, and it's a waste of print money. So if you're handed a stack of flyers a week before your next big show, grab your mp3 player and spend an afternoon creatively reaching your target audience. It can be more fun than you think.

Monday, March 05, 2007

Techno Has Reached It's Limits: The Negative Effect Of Software Limiting In Techno Music

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.:Techno Has Reached It's Limits: The Negative Effect Of Software Limiting In Techno Music:.

Here is a very interesting article from Blackout Audio which talks about how electronic artists are way to dependant upon the use of limiting in their music. The result, is extremely "hot" music that lacks any sort of dynamics or progression. Personally I think the author is spot on in this article, and I find all too from artists tracks that I listen to that in your face radio sounds has taken over so much music. I wonder though if this is not only a product of just techno music, but the introduction of software as the main form of creation.

Back in the early nineties, a well mastered album set at a good level could be averaging -12 to -14 db rms, and still peaking at zero db. What this effectively meant was the main body of the music (the rms level, and our perceived loudness of the track ) would be sitting at -12db, with 12db of headroom available for kicks and snares, drops and builds to provide the dynamic impact, colour and interest...Slowly the rms levels have been coming up and up since the first software limiters were introduced, (regularly to -5db rms or so on some techno mixes that arrive here) meaning there is now nowhere for the kick drum to go, except head first into a brickwall limiter, barely louder than the body of the track.


From a Live standpoint what are you LivePA'ers out there doing? I have seen on the .:LivePA.org:. board the issue of limiters come up several times, and the discussion of sounding "pro" or "mastered" is often an issue. Has the club or live environment mandated that we have the constant driving in your face sound?

I for one almost never use limiting, and only use a very little bit of compression on my tracks after recording, whether it ends up being a live or studio recording. This is using hardware, and ironically enough when I was a software musician I used to compress the heck out of my tracks. It is fair to say that my tracks sound much livelier now because of my toned down use of effects in general.

Lets hear your thoughts on this one.

Ableton Live + Turntable Example

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Here is a nice little example of Realtablist demonstrating how he has integrated Ableton Live with a Midi foot controller and turntables.

Sunday, March 04, 2007

Mobis: Reconstructive Synthesis

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.:Mobis Synth:.

Mopis is a high-quality software synthesizer that combines traditional subtractive synthesis with new technology we call reconstructive synthesis. Reconstructive synthesis adds a new dimension to your creations. Mopis can analyze your audio sample and create an oscillator that mimics the sample's properties. You can then play the sample back and bend it to your will. The end results are pretty cool and land somewhere between a vocoder, autotune and wavetable synthesis.

The plugin is free for personal use, but you need to spend $50.00 if you plan to use it commercially. Pretty fair deal if I say so.

Friday, March 02, 2007

Istari Lasterfahrer Live @ Clash of the Titans 03/25/06

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.:Istari Lasterfahrer Live @ Clash of the Titans 03/25/06:.

This week's liveset is from Istari Lasterfahrer. This is some great breakbeat/Drum N Bass, with lots of loop manipulation and overall crazy mayhem. I think there is even a little Gabber thrown in on this one as well. I hope everyone jams away on this one as a nice break from all of the IDM we have been having as of late.

Check out his website at: .:istari.sozialistischer-plattenbau.org:.

Thursday, March 01, 2007

Mawzer: Modular MIDI Controller

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.:Mawzer:.

Mawzer is a very cool conceptual idea that I have seen floating around the internet for a little while. What it is, is a modular hardware midi interface. All of the components of Mawzer can be interchanged and arranged in the control box in any fashion that is best for you. In essence it is the ultimate MIDI controller that is completely customizable. Right now Mawzer is strictly a prototype that is being demonstrated around the world, but with any luck we might see some commercial production in the near future.

Cubase 4 Update

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.:Cubase 4 Update:.

This morning Steinberg released their long-anticipated update to Cubase 4 - including a laundry list of bugfixes - at their home site:

Cubase 4's latest version is 4.0.2.2213, and the update is (thankfully) free.